Lucinda Parker

Biunion III, 1971

acrylic on canvas

38 x 42.75 inches framed

Lucinda Parker

Boat Show, 1970

acrylic on canvas

32.75 x 42.75 inches framed

Lucinda Parker

Saxifrage, 1991

acrylic on canvas

79 x 61 inches framed

Lucinda Parker

Stratocumulus, 2008

acrylic on canvas

61 x 51 inches framed

Lucinda Parker

Sunshine Route, 2012

acrylic on canvas

69 x 99 inches framed

Lucinda Parker

Split Prism, 2015

acrylic on canvas

49 x 37 inches framed

Lucinda Parker

Upper Coe Two Clouds, 2015

acrylic on canvaæ

56 x 38 inches framed

Lucinda Parker

Slash Fire, 2015

acrylic on canvas

49 x 37 inches framed

Lucinda Parker

Drift Logs and Breakers, 2020

acrylic on canvas

19 x 33.25 inches framed

Press Release

For the month of November, Russo Lee Gallery presents Déjà Vu All Over Again by Lucinda Parker. Spanning more than six decades, this exhibition celebrates a major retrospective from 1965 to 2026, bringing together a remarkable period of sustained creativity, and an artist whose work has been shaped by observation, experimentation, mentorship, and an enduring curiosity about the world.

 

Parker’s artistic journey began with the encouragement of her parents. Her mother taught her the violin and nurtured her early interests in painting and drawing, while her father encouraged her to climb trees and study the night sky, learning to identify constellations, stars, and planets. These early experiences fostered a lasting appreciation for both the natural world and the discipline of close observation. Her artistic education was further enriched by influential teachers, including Louis Bunce, Manuel Izquierdo, and Michele Russo. Through their guidance, Parker developed a foundation in drawing, sculpture, and painting. Her own experience as a teacher added another dimension to her life and work, offering lessons in humor, patience, and the value of shared discovery.

 

Parker approaches this milestone with characteristic humility and gratitude. Reflecting on the people and experiences that have shaped her life, she begins her artist statement with a simple declaration: “I’ve been incredibly lucky.” She speaks with affection about her parents and teachers, acknowledges the lessons learned from her students, and celebrates the personal relationships that have sustained her. She recognizes the importance of her artistic community, including The Fountain Gallery and her connection with Arlene Schnitzer, as well as her ongoing representation with Russo Lee Gallery.

Originally from Boston, Lucinda Parker received a BA jointly from Reed College and the Pacific Northwest College of Art, in Portland OR, and an MFA from Pratt Institute, in New York. Her work has been exhibited in numerous solo-shows throughout the Pacific Northwest and nationally. The Portland Art Museum honored her with a mid-career retrospective in 1995, and the Boise Art Museum presented a one-person exhibition of her work in 2002. Parker was also included in the Bonnie Bronson Fellows twenty-year retrospective at Lewis and Clark College, Portland, OR. In 2013, she was among the first artist-in-residents selected by the Robert Rauschenberg Foundation to work for a month in Captiva, Florida. The resulting painting is now in the collection of and on permanent public display at Reed College in Portland, OR, purchased with the support of a grant from The Ford Family Foundation. Parker’s work is part of collections throughout the Northwest. Major public collections include the Hallie Ford Museum of Art at Willamette University, the Portland Art Museum and the Seattle Art Museum. Public commissions can be found at the Oregon Convention Center, Portland City Hall, a federal courthouse in Bakersfield, CA, and the Washington State Arts Commission for the Department of Labor and Industries in Tumwater, WA.

 

Opening Reception | Thursday, November 5, 2026 | 5:00 - 7:00 PM

Artist Talk | Saturday, November 14, 2026 | 11:00 AM