Installation view

Installation view

Installation view

Installation view

Installation view

Installation view

Lisa Jarrett

Untitled (Diana, 1960), 2025

Mixed (synthetic hair woven into weaving net, pigment print on vellum in slide mount)

20 x 10 inches framed

Lisa Jarrett

Untitled (Diana, 1969), 2025

Mixed (synthetic hair woven into weaving net, pigment print on vellum in slide mount)

20 x 10 inches framed

Lisa Jarrett

Untitled (Diana, 1970), 2025

Mixed (synthetic hair woven into weaving net, pigment print on vellum in slide mount)

20 x 10 inches framed

Lisa Jarrett

Untitled (Diana, 1974), 2025

Mixed (synthetic hair woven into weaving net, pigment print on vellum in slide mount)

20 x 10 inches framed

Lisa Jarrett

Untitled (Diana, 1975), 2025

Mixed (synthetic hair woven into weaving net, pigment print on vellum in slide mount)

20 x 10 inches framed

 

Lisa Jarrett

Phenotyped (Isaac Jones, ?, Miley Jone, and Auntie Velva; Pinwheel: Pink Leopard Print and Red Sparkle Head Scarves), 2025

Mixed (head scarves, synthetic hair woven into weaving net, pigment prints, and clips)

60 x 58 inches

Lisa Jarrett

Phenotyped (Miley, Rachel, and Lisa Jarrett Walking Papa's Arkansas Farm; Pinwheel: Red Sparkle and Pink Leopard Print Head Scarves), 2025

Mixed (head scarves, synthetic hair woven into weaving net, pigment prints, and clips)

60 x 58 inches

Lisa Jarrett

Phenotyped (Opal Gates Jarrett and Hugh H. Jarrett Jr.; Pinwheel: White and Brown Leopard Print and Copper Sparkle Head Scarves), 2025

Mixed (head scarves, synthetic hair woven into weaving net, pigment prints, and clips)

60 x 58 inches

Lisa Jarrett

Phenotyped (Rachel, Lisa, and Miley Jarrett Picking Berries; Ella Jones; Papa, Martha, and Miley Jones), 2025

Mixed (head scarves, synthetic hair woven into weaving net, pigment prints, and clips)

60 x 58 inches

Lisa Jarrett

Phenotyped (Ella Jones in Arkansas; Opal Gates Jarrett in Georgia; Pinwheel: Orange Leopard Print and Purple Sparkle Head Scarves), 2025

Mixed (head scarves, synthetic hair woven into weaving net, pigment prints, and clips)

60 x 58 inches

Lisa Jarrett

Migration Studies (No. 111, "I feel for you," After Prince), 2025

(Mixed) ink, synthetic and human hair, weave netting, beads, vellum, and hair clip on kozo

64 x 61 inches

Lisa Jarrett

Migration Studies, B-Sides (No. 114, Opal Gates Jarrett with Hugh Jarrett Jr.), 2025

pigment print

40 x 32 inches

Lisa Jarrett

Migration Studies, B-Sides (No. 120, Left to Right...), 2025

pigment print

40 x 32 inches

Lisa Jarrett

Migration Studies, B-Sides (No. 119, Melanese Canady, 1977), 2025

pigment print

40 x 32 inches

Lisa Jarrett

Migration Studies, B-Sides (No. 12, Jeannette Jones, Papa Jones' Sister), 2025

pigment print

40 x 32 inches

Lisa Jarrett

Migration Studies, B-Sides (No. 113, To Cousin Ruby...Love Always, Denise "77"), 2025

pigment print

40 x 32 inches

Lisa Jarrett

Migration Studies, B-Sides (No. 116, Opal Gates Jarrett), 2025

pigment print

40 x 32 inches

Lisa Jarrett

Migration Studies, B-Sides (No. 115, Martha and Will Jones, Miley's Mom and Dad When They Were in Their 30s), 2025

pigment print

40 x 32 inches

Lisa Jarrett

Migration Studies, B-Sides (No. 117, Little Hugh Jarrett Jr., H.H. Jarrett Jr.), 2025

pigment print

40 x 32 inches

Lisa Jarrett

Migration Studies, B-Sides (No. 118, Ophelia Gates, Grandmother to Hugh Jr.), 2025

pigment print

40 x 32 inches

Lisa Jarrett

Migration Studies (No. 121, The Treachery of Assimilation in 13 Parts, a Working Title), 2025

pigment print

36.25 x 130.75 inches

Press Release

For the month of November, Russo Lee Gallery exhibits Nightlights by Lisa Jarrett. The body of work in this exhibition is part of Jarrett’s ongoing series Migration Studies, from 2018 to present. Jarrett works with drawing, sculpture, and installation to examine hair care and beauty routines within Black culture as a bridge to themes about inventing collective survival. These routines are rituals in which beauty standards that exist beyond and before dominant narratives are claimed. She uses the tools of these ritual practices as drawing materials whose histories both trace and extend lost languages and homelands. These material and formal choices reflect her broader interest in repetition and reproduction as tools of consumer culture and cultural preservation. The art object, in her view, is the transformative mechanism by which different systems of value become visible and knowable.

Lisa Jarrett—who exists and makes work within the African Diaspora—is an artist and educator living in Portland, Oregon. A Professor of Community and Context Arts at Portland State University’s Schnitzer School of Art + Art History + Design, she leads the Art + Social Practice MFA program. Jarrett is co-founder/director of projects including KSMoCA (Dr Martin Luther King Jr School Museum of Contemporary Art); the Harriet Tubman Middle School Center for Expanded Curatorial Practice; and the collective Art 25: Art in the 25th Century. She was a 2022 Joan Mitchell Center Artist in Residence and, in 2018, received a Joan Mitchell Painters and Sculptors Award. In 2023, she received an honorary doctorate degree from the Columbus College of Art and Design (CCAD). Jarrett holds a Master of Fine Arts from the University of Montana, School of Art, Missoula, MT, and a Bachelor of Fine Arts from Rochester Institute of Technology (RIT), Rochester, NY. Her intersectional practice considers the politics of difference within a variety of settings including: schools, landscapes, fictions, racial imaginaries, studios, communities, museums, galleries, walls, mountains, mirrors, floors, rivers, and prisms. She recently discovered that her primary medium is questions, the most urgent of which is: “What will set you free?” Jarrett exhibits nationally and is included in the public collections of the North Portland Albina Library and the Portland Art Museum, Portland, OR. Her upcoming solo exhibition titled Tenderhead is featured as part of the inaugural presentation in the Portland Art Museum’s new Black Art and Experiences Gallery, November 20, 2025 – November 2026.