Eric Stotik | SomeWhen | November 2018 | Installation View 01
Eric Stotik | SomeWhen | November 2018 | Installation View 02
Eric Stotik | SomeWhen | November 2018 | Installation View 03
Eric Stotik | SomeWhen | November 2018 | Installation View 04
Eric Stotik | SomeWhen | November 2018 | Installation View 05
Eric Stotik | SomeWhen | November 2018 | Installation View 06
Stotik LR306
Stotik LR307
Stotik LR308
Stotik LR309
Stotik LR310
Stotik LR311
Stotik LR312
Stotik LR313
Stotik LR314
Stotik LR315
Stotik LR316
Stotik LR317
Stotik LR318
Stotik LR319
Stotik LR320
Stotik LR321
Stotik LR322
Stotik LR323
Stotik LR324
Stotik LR325
Stotik - LR336
Stotik LR335
Stotik LR334
Stotik LR333
Stotik LR332
Stotik LR331t
Stotik LR331s
Stotik LR331r
Stotik LR331q
Stotik LR331p
Stotik LR331o
Stotik LR331n
Stotik LR331m
Stotik LR331l
Stotik LR331k
Stotik LR331j
Stotik LR331i
Stotik LR331h
Stotik LR331g
Stotik LR331f
Stotik LR331e
Stotik LR331d
Stotik LR331c
Stotik LR331b
Stotik LR331a
Stotik LR330
Stotik LR329
Stotik LR328
Stotik - Homage to the Torghut
Stotik LR327
Stotik LR326

Press Release

Eric Stotik returns to the gallery with three bodies of work in painting. The show title SomeWhen refers to the micro-script “Somewhere, Some When” by Robert Walser, in which the writer describes a woman both clever and beautiful, woefully surrounded by second-rate men. In this exhibition, the artist presents 20 portraits of women, of different ages, races, and phases of life. As with most of Stotik’s work, the subjects are powerful and intense, seemingly timeless, as if from another nameless era. The artist has also continued his work on Airgas tags, detritus he finds while walking along the Columbia River. These found pieces of paper feature haunting portraits. And finally, there is a small group of paintings which feature what the artist calls “double encounters” of two figures meeting.

Stotik presents small, intimate paintings that raise questions about identity, loss, interconnection and the human condition. Stotik’s paintings combine breathtaking technique and skill to create jewel-like works that can evoke the devastation an apocalyptic time, or exude a sense of primal peace or solitude, moving viewers from one pole of experience to another.